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EBISU ONE-MAN EXHIBITION from 2010. 9. 2 Thu.


Yoshikazu EBISU (EVIS)
holding a traumatized painting illustrated by Issei SAGAWA,
and
grinning a ghastly smile...


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NEMOTO taking a commemorative photo of Satan (Evis).

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HATTENBA PRODUCTION PRESENTS
Yoshikazu EBISU (EVIS) ONE MAN EXHIBITION IN TOKYO.

from 2010. 9. 2. Thu - 2010. 9. 28 Tue.


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Stéphane’s events in Tokyo from 03/30/2010 to 04/18/2010


Special thanks to Antoine FREMON


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Stéphane has been shaking the art scene for 20 years. His work has been extensively shown and published in Europe, USA (Last Gasp, Blab…) and Japan. In 2009, his outstanding major exhibition at the contemporary Art Museum of Lyon has taken France by surprise.

  • EXHIBITION: from 03/30/2010 to 04/18/2010 - Blanquet plagues Tokyo at Span Art Gallery - Drawings, photos, sounds, turning and whirling objects…
  • OPENING PARTY: 30th March from 18:00 at Span Art Gallery in Ginza
  • MOVIE & TALK SHOW: 02nd April @ 19:00, Institut Franco-Japonais, screening of Stéphane & Olive’s movies + discussion with Stéphane & Takashi Nemoto moderated by Akiko Takiguchi, curator at Urawa Museum. (French & japanese only)
  • BOOK SIGNING: Meet Stéphane, get your books signed & your body painted on April 03rd from 16:00 @ Span Art Gallery & April 10rd from 15:00 @ Tacoche.
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Stéphane Blanquet gave his original coloring to Ebisu's masterpieces.

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Ebisu's anthology newly-colored by Stéphane Blanquet will be coming soon!

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YOSHIKAZU EBISU (EVIS) in Paris

Galerie Georges-Philippe & Nathalie Vallois
15 avril - 22 mai 2010
"Deichû Ni Hasu (Un lotus dans la boue)"

2010 Le Monde- Un lotus dans la boue


We had some very nice articles!
One being in Le Monde, the most important newspaper in France.

 Thanks to Marianne
P/O Galerie Georges-Philippe & Nathalie Vallois

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Galerie Georges-Philippe & Nathalie Vallois

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YOSHIKAZU EBISU (EVIS) in Paris

Galerie Georges-Philippe & Nathalie Vallois
15 avril - 22 mai 2010
"Deichû Ni Hasu (Un lotus dans la boue)"

Underground & Secret Manga, planches originales et dessins de
Yoshikazu Ebisu, Usamaru Furuya, Kanako Inuki, Suehiro Maruo, Junko Mizuno, Toru Terada...

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curator : David Rosenberg

EXHIBITION FROM 16 APRIL TO 20 MAY 2010 IN PARIS

Deichû Ni Hasu
*A Lotus in the Mud


At once ornament and offering, the lotus is a flower both spiritual – as a symbol of the Buddha, for instance – and philosophical, in that it is rhizomatic. In the lotus cause and effect appear simultaneously: the seed and the flower. Even stranger than the water lily – another aquatic flower, which floats serenely on ponds, lakes and backwaters – the lotus, driven by some singular aspiration, rises and flowers above still waters, drawing its energy from the silt and mud that in Asia represent inner disturbance, the passions and suffering, and transforming them into exquisite, ineffable beauty.

From sludge to sublimity, then. In this case the principle of conversion and transmutation being the art of the Manga1 the art of «freely drawn» or «whimsical» images.

The Manga we know today is as much a child of the Japanese artistic tradition as of the trauma of the War and the atom bomb. Its first master was Tezuka and its first hero Astroboy, a robot-child created by a scientist rendered inconsolable by the loss of his son. Astroboy’s begetter went on to construct the girl robot Uran (short for Uranium) and a second boy, Cobalt (another metal used for making atomic bombs): these were machine children endowed with superpowers, destined to save humanity and bearing the same names as the radioactive substances that devastated Hiroshima and Nagasaki...

Unique in our time, Manga has become a culture, a world and an industry whose stories and characters appear in the print media, films, video games and tie-ins. It also represents a resource pool many contemporary artists have no qualms about exploiting.

The feudal world, science-fiction and everyday life, cyborgs, magical creatures and perfectly ordinary characters, animal impulses, kitsch heroism and sentimentality: beyond the conventional codes of the types of Manga targeting
specific readerships – Shounen for boys, Shoujo for girls, Seinen for adults –there also exist unclassifiable experimental books hinging more on deep experience than on mere entertainment. Whether Manga’s critics like it or not, these books are «dangerous» in that they represent a host of thresholds, doorways and channels leading to visionary, nightmarish, grotesque worlds whose common characteristic seems to be the absorption of those who look into them.

Yoshikazu Ebisu, Usamaru Furuya, Kanako Inuki, Suehiro Maruo, Junko Mizuno and Toru Terada: it is to these dedicated practitioners of the draughtsman’s art that this exhibition is devoted.

David Rosenberg


Notes
1. The word Manga dates from the 18th century and became an everyday term with the publication of the Hokusai Manga, books of prints by the celebrated Japanese artist Hokusai (1760–1849). The modern version made its appearance in the 20th century, notably after World War Two, and since then the word has come to mean any kind of comic.


For any information, please contact the gallery:+33 1 46 34 61 07 or by email at info@galerie-vallois.com
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YOU CAN EXPLORE THE ROOTS OF MANKIND.


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Since the establishment, Hattenba Prodiction has been making an all-out effort to be an unique group by specializing in Japan's most crazy artists.

THE BACK STAGE OF JAPAN'S MOST DASTARDLY ARTISTS TO DATE.

HATTENBA PRODUCTION fuels the spark of their imagination.

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515mm x 728mm on poster board

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THE ASAHI SIMBUN features EBISU STORY.

The Asahi Simbun has placed a running story of the artist, EBISU (EVIS) YOSHIKAZU.

2010/2/22 - 2010/2/26

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If you are looking for the latest in cutting edge, like Ebisu Yoshikazu, raw artistic passion and talent direct from the heart of Japan, then you have come to the right place. Please feel free to explore and learn about our artists on our home page!

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THE INSTALLATION OF EVIS WORKS

1030mm x 728mm poster paint

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Just a quick update to let you know that Hattendba Production is in the final stages of updating our web page, and we are proud to begin the business of exclusively representing a gallery of some of Japan's most dastardly artists to date.  If you are looking for a slice of less than traditional Japan to complete your personal collection or work gallery, look no further than Hattenba Production!


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CLICK FOR TRANSLATION

ABOUT US

HATTENBA PRODUCTION IS A NEWLY ESTABLISHED GROUP SPECIALIZING IN HANDLING OF FOREIGN MARKETS FOR CUTTING EDGE UNDERGROUND ART IN JAPAN'S ALTERNATIVE COMICS ANDART SCENE.
WE CURRENTLY OFFER SOME ARTISTS WHO ARE WIDELY KNOWN FOR THEIR INNOVATIVE ART WORKS AND BACKGROUND BOTH DOMESTICALLY AND ABROAD. FURTHERMORE, WE HAVE AN EXCLUSIVE CONTACT OF AUTHORIZATION IN TERMS OF RIGHT OF PUBLICATION ABROAD. WE LOOK FORWARD TO YOU PARTNERING WITH US. WE CURRENTLY FEATURE THE FOLLOWING EXCITING AND HIGHLY INFLUENTIAL ARTISTS..... EVIS (EBISU) YOSHIKAZU / TAKASHI NEMOTO / AND OTHERS.
HATTENBA PRODUCTION CAN PROVIDE A NEW OPPORTUNITY TO INTRODUCE EXCITING WORKS INTO YOUR MARKETS. Pls CONTACT hattenba@gmail.com GENERAL MANAGER / HATTENBA PRODUCTION

MY PROFILE

GENERAL MANAGER

Author:GENERAL MANAGER
The Grand Champion

THE EXCLUSIVE OFFICIAL WEBLOG COMPILED BY GENERAL MANAGER WHO LOVES HANDJOB.
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LOVE & PEACE, HANDJOB
hattenba@gmail.com

SIR MICHAEL PHILIP MICK JAGGER / KEITH RICHARDS / THE GLIMMER TWINS AND CRIS KIMSEY / THE ROLLING STONES / TOO MUCH BLOOD

CONTACT US

WE WISH TO COLLABORATE WITH THOUGHTFUL AND OPEN-MINDED COLLECTORS FROM ALL OVER THE WORLD IN OUR EFFORTS TO SUPPORT THEM.

YOUR NAME:
EMAIL:
RE:
TEXT:

WOULD YOU LIKE TO INTRODUCE THEIR ART WORKS INTO YOUR MARKETS? GLAD WE COULD BE OF SOME HELP.

COMMENTS

OUR TEAM

『国際特殊機関ハッテンバ プロダクション』 専属アーティスト 数名 & GENERAL MANAGER
HATTENBA PRODUCTION ALSO EXCLUSIVELY REPRESENTS THESE ARTISTS IN TERMS OF PUBLICATION ABROAD, SO IT'S OUR GUARANTEE TO YOU THAT YOU CANNOT POSSIBLY FIND THESE ARTIST'S WORK ANYWHERE ELSE OUTSIDE OF JAPAN..

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上記広告は1ヶ月以上更新のないブログに表示されています。新しい記事を書くことで広告を消せます。